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2007-04-20·s¨ì®Ñ¥Ø


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Summary

¤pĬ¥´¶W±j°£Àã¤O , ©ñ¦b®e©öªøÅð³B©ÎÀã®ð¸û­«µ¥®e©ö¼éÀ㪺¦a¤è , À°§U§l¦¬´c¯ä»PÀã®ð«á . ¦¨¬°¨ó§U±þµßªº¦nÀ°¤â .

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About the Author

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¦P®É¡AÁÙ¬[³]¦³¥H¡u¨Ï¥Î¤ÑµM¯À§÷»´ÃP°µ®a¨Æ¡v¬°¥XµoÂIªº¡u Katoko ' s Natural Life ¡vºô¯¸¡] www.katoko.com/ ¡^¡A¥H¤Î³c°â®É»ì­Ó¤HÂø³f°Ó«~»P¤pĬ¥´ªº 7 ºô¸ô°Ó©±¡Ð¡u¦Ë½ü¥»¾Q¡v¡] www.chikuwa.com ¡^µ¥ºô¯¸¡C¥D­nµÛ§@¬°¡m¤ÑµM¬~²b¡n¡B¡m 70 ºØ¤ÑµM¥Í¬¡ªº¤èªk¡n¡]¥H¤W¬°«C»É·sªÀ¥Xª©¡^¡A¡m¦õ¥úªº¦Û§Ú¥Í¬¡¤§¹D¤j¸ÑªR¡n¡]½ü¥@ªÀ¡^¡C½ĶµÛ§@«h¦³¡m¹B¥Î¤pĬ¥´ªº¤ÑµM¥Í¬¡¡n¡]«C»É·sªÀ¡^µ¥¡C

 



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KUUNERUSUWARU EIHEIJI SHUKYOUKI
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·s¼é¤å®w ISBN4-10-123131-1( 2001/8/1 ¥Xª© )
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³¥³¥§øÄÉ¡] Kaoru NONOMURA ¡^

¬Y¤Ñ¡A§Ú¥X®a¤F¡A©ß±ó¤F¤kªB¤Í¸ò³o­ÓªÀ·| ¡K ¡C¹D¤¸®v¤÷³Ð¥ßªº±ä¬}©vªºÁ`¦x°|¡A¥Ã¥­¦x¡C¶i¤J¦xªù«á¡A¬Ý¨£ªº¬O¸ò¬õ¹Ð¤£¦Pªº¥t¤@­Ó¥@¬É¡CµL½×¬O¤W´Z©Ò©Î¬O¦Y¶º¡A³£¦³ÄY®æªº³W©w§@ªk¡C·s¤â³Q¦Ñ¹¬«Q°V¥¸¡A¨Ã¹ý©³±N³W¯xÅܦ¨²ßºD¡C¦Ó¤Ñ¤Ñ¼ö°J§¤ÁIªºµ²ªG¡A 30 ·³ªº§@ªÌ²z¸Ñ¤F¨Ç¤°»ò¶Ü¡H ´y¼g¦æ¸}¹¬ªº¤@¦~ÅéÅ窺°O¹ê¤å¾Ç¡C

 

Summary

¥Ã¥­¦x¡A¬O 1244 ¦~¥Ñ¹D¤¸ÁI®v«Ø¥ßªº±ä¬}©vªºÁ`¦x°|¡C¾Ú»¡°|¤º¬ù 10 ¸U©W¡] 33 ¥­¤è¤½¤Ø ¡^¡A¥Ñ³Q»{¬°¾ðÄÖ¬ù 700 ¦~ªº¦Ñ§ü©M¤C°ó¦÷ÂŬ°¤¤¤ß¡A¨Ã¦CµÛ 70 ¶¡¥H¤Wªº·µ°ó»Õ¼Ó¡C

¦b³o­Ó¥Ã¥­¦x¡A¥u»Ýªá¤é¹ô 9000 ¤¸§Y¥iÅéÅç¥|¤Ñ¤T©]ªºÅéÅç­×¦æ¡C¾Ú²¤¶»¡¡A¸ÓÅéÅç­×¦æ¬O¦b¦­±á¤TÂI¥b°_§É¡A±ß¤W¤EÂI´N¹ì¡C¡u 3 ¡G 30 ¡v»P¨ä»¡¬O¦­±á¡A¤£¦p»¡¬O¥b©]¤T§ó§a¡H¡I¦]¬°Â²¤¶¤W´£¨ì¡A¤£§Æ±æ¿³½ì¥»¦ì©Î¬O©êµÛ¹CÄý¤ß±¡ªº¥Á²³¨Ó°Ñ¥[¡A©Ò¥H·Q¥²¬O¬Û·íÄY®æªºÅéÅç­×¦æ¡C¥¿¦]¬°³o¬O¤é¥»¦³¦WªºÁI¦x¤§¤@¡A¹ï©ó¨äÄY®æ«×¤]µy·L¦³©ÒÅ¥»D¡A¦ý¬Ý¤F¥»®Ñ¦ü¥G§óÁA¸Ñ¤@¼h¡C

¾Ú»¡¤W­zªº 3 ¡G 30 °_§É¡A¦pªG¥[¤W¤j®a³£¶}©l¤À¾á¤u§@ªº¸Ü¡A¦n¹³±o¦A´£¦­¨â­ÓÄÁÀY°_§É¡C¦YªF¦è¡B¦YªF¦è¡B¨«¸ô¡BºÎı¬Æ¦Ü©Ò¦³ªº§@ªk³£¤w¸g©w¤U³W¯x¡A³s¤W´Z©Ò®É¡A±NÀ¿¤â¥¬©ñ¦b­þ°¦¤â¤W¡B¦b­þ¸Ì²æ¥h³P¸Æ¡B¥H«ç¼Ëªº«º¶Õ¡B©À«ç¼Ëªº¦ò¸g ¡K µ¥µ¥¨Æ±¡ªº²Ó¸`³£³Q¤@¤@¥ß¤U³W©w¤F¡C

±q¹Ò¤ºªº¥´±½¥H¤Î­¹ª«ªº°tµ¹¡A©À¸g®Éªº¶¶§Ç¨ìÁ}Ãøªº³æ¦r¥H¤Î¾°È¦W¡A¥u¬OÅ¥«e½ú»¡¤@¦¸´N±o¥þ³¡­I¤U¨Ó¡C¤°»ò±m±Æ³£¨S¦³´N±o¥¿¦¡¤W³õ¡C¦pªG·d¿ù¤F¡A´N±o±µ¨ü«e½úªºÄY¼F±Ð¨|¡C¾Ú»¡¥þ³¡ªº¦æ°Ê³£¬O­×¦æ¡A³o¬O·½¦Û¹D¤¸ÁI®vªº±Ð¾É¡C

³á ¡K ¯u¬O¥i©È¡C¦ý¬O¸g¹L³sÄòªººò±i©M¨C¤Ñ¦P¼Ë¤ÏÂЪº­×¦æ¡A§@ªÌ¦ü¥GÀò±o¤F¨Ç¤°»ò¡HŪ§¹³o¥»®Ñ¡A¦ü¥G¹ï°µ³o¼ËÅéÅ窺§@ªÌµy·Lªº¸r¼}¥H¤Îı±o¨ØªA¡C

 




§@ªÌ
About the Author

³¥³¥§øÄÉ¡] Kaoru NONOMURA ¡^

1959 ¦~¥Í©ó¯«©`¤t¿¤¡C¾Ç¥Í®É¥N´N´¿¥h¤¤°ê¤Î¦èÂîȦæ¡C ²¦·~«á¡A¥ô¾©ó³]­p¨Æ°È©Ò¡A¤T¤Q·³®É¥X®a¡A¦b¥Ã¥­¦x¥H¦æ¸}¹¬ªº¨­¥÷­×¦æ¤@¦~¡C¤§«á¡A¦A¦¸¥ô¾©ó³]­p¨Æ°È©Ò¡A¥»®Ñ¬O§@ªÌ§Q¥Î¤W¤U¯Z³~¤¤¼g§@§¹¦¨ªº¡C


 

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THE WALL: Growing Up Behind the Iron Curtain
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-§@ ªÌ¡GPeter Sis


³o¬O¤@­Ó¯u¹ê¬G¨Æ¡A±Ô­z§N¾Ô®É´Á¤@¦W¼ö·Røµeªº±¶§J¨àµ£¦b¦@²£°ê«×ªº¸g¾ú¡C¥L´¿¸g«i´±ªº¯¸¦b¥v¹FªL»É¹³«e¡A¯Ý«e±¾µÛ¬õ¬P¡A®Â½Ã¥L©Òª¾ªº«H¥õ¡C«q°fªº«C¤Ö¦~®É´Á¡A¥L¿s¨£¤F¦è¤èª«½è¤å©ú¡A¨H¾K©ó¼H¥Ö¤å¤Æ¡AÁöµMĬÁp¤J«IÅý³oªÑµu¼Èªº¦Û¥Ñ¤§­·¹ÇµM¦Ó¤î¡A§Æ±æªº¤õªá«o¨S¦³®ø·À¡A³Ð³y¤O©TµM¨ü¨ìÀ£­¢¡A«o¨S¦³»´©ö®ø³u¡C

§@ªÌ¹B¥Î¥LµÛ¦WªºÃ¸µe­·®æ¡A¥H¤Î¥Lªº¤é°O¡A¤Ä°Ç¥X±¶§Jªº¤é±`¥Í¬¡¡C¥»®Ñ¬O¥L¥Í¥­³Ì­Ó¤Hªº¤@³¡§@«~¡C¥L¾Ö¦³¼s¤jªºÅªªÌ¸s¡A´¿Àò±o³Í­}§J¼ú¡B³Á§Jªü·æ¼ú¡A¥H¤Î¦UºØ°ê»Ú¤j¼ú¡A¥]¬Aªi¶©¯Ç Ragazzi ¼ú¡C

 

Summary

Long hair is a sing of Western decadence. Police have orders to cut it.
He join a rock group and painted music.
There are no records, no instruments, no stylish clothes. We have to make and invent everything. We all want to be Beatles.
We make our own shoes, shades, electric guitars ¡K
Rock music is against the principles of Socialist art.




§@ªÌ About the Author
Peter Sis was born in Brno , Czechoslovakia , and grew up in Prague . He has been drawing ever since he can remember. He and his sister were Young Pioneers during the Cold War. An ardent rock ¡¥n' roll enthusiast, he was an emcee and a D.J. with his own radio show. He studied painting and filmmaking at Academy of Applied Arts in Prague and the Royal College of Art in London before coming to the United States in 1984, leaving the Iron Curtain behind.

His many distinguished books include Starry Messenger: Calileo Galilei , Tibet Through the Red Box, Madlenka , and The Tree of Life: Charles Darwin . He now lives in New York 's Hudson Valley with his wife and children.


¤w±Â¥Xª©Åv¡G±¶§J¡Bªk°ê¡B¼w°ê

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Ãþ§O¡G «C¤Ö¦~¤p»¡ (agent : Cynthia)

 

MAIN STREET (Book 1) ¡V Welcome to Camden Falls
MAIN STREET (Book 2) ¡V Needle and Thread

¤jµó¨t¦C 1 ¡V §¢¹yÂr¥¬¡] 2007.5 ¤ë¥Xª©¡^
¤jµó¨t¦C 2 ¡V °w»P½u¡] 2007.8 ¤ë¥Xª©¡^




-§@ ªÌ¡G Ann M. Martin


¥»¨t¦C¹w­p¥Xª©¤C¥»¡A¤@¡B¤G¨â¶°©ó¤µ¦~¥Xª©¡C

·íªÜù©Ô©MÅS¤ñ©n©f·h¨ì§¢¹yÂr¥¬®É¡A±¡ªp¯u¬OÁV¿|µL¤ñ¡G¦o­ÌªºÂù¿Ë¤`¬G¡A¨â¤Hªº¥Í¬¡¦³¤F­«¤jÂàÅÜ¡C¦o­Ì·h¨Ó©M¯ª¥À¦P¦í¡A¾Ç²ß¾AÀ³³o´É·s©~¡C³o´É©Ð¤l¦ì©ó¤jµó¡A©M¨ä¥L¤C´É©Ð«Îºò±K¬Û³s¡C§¢¹yÂr¥¬¬O­Ó¤p«°¡A©~¥Á±q¤p´N©¼¦¹¬ÛÃÑ¡A³oºØ¿Ë¼Êªº®ðª^¨Ï¨â©n©f­¿Ä±¿Ë¤Á¡CªÜù©Ô©MÅS¤ñ«Ü§Ö´N»P¹j¾Àªº¶øÄRÁ¨¨Èµ²¬°¦nªB¤Í¡A¦ý¬O§Y¨Ï¬O¦b³o»ò¿Ë¤Áªº¤p«°¡A¤´Â¼çÂõ۳\¦h¯µ±K¡C·í¨â©n©f¶}©l¤J¾Ç°á®Ñ¡A§ó¥[¿Ä¤J§¢¹yÂr¥¬«á¡Aµo²{¤jµó±qÀY¨ì§Àªº¨C¤@­Ó¤H¤§¶¡¡A¨ä¹ê¥æÂ´µÛ½ÆÂø¦Ó¯Ü®zªºÃö«Y¡C

¥t¤@­Ó¥s§@©gµXªº¤k«Ä¤@ÂI³£¤£³ßÅw³o¹ï·s¨Óªº©n©f¡A¸ò¦o­Ì¤Q¤À²¨»·¡A¤]³\¦]¬°¦o¦³¤@­Ó¤£Ä@¬°¤Hª¾ªº¯µ±K¡H

 


Summary

When Flora was a very little girl visiting Camden Falls with her parents, she used to like to stand across the street from the Row Houses, squint her eyes, and pretend that instead of eight houses they were really one huge house, a giant's house an entire block long, and enormous granite mansion. Flora remembered this now as Min's car turned onto Aiken Avenue, remembered, too, that there had been a time when she wasn't sure which front door was Min's unless she counted One ¡V the Morrises', two ¡V the Willets', three ¡V the Malcones', then Min's ¡V that was number four, then Olivia's ¡V five. Mr. Pennington's was six, the Edwardses' was seven, and number eight belonged to the Fongs. Eight Doors. All eight houses all in a row, attached, identical in size, similar in layout, but otherwise nothing alike.



§@ªÌ About the Author

Ann's THE BABY-SITTERS CLUB has sold more than 176 million copies. She was born on August 12, 1955 . She grew up in Princeton , NJ , with her parents, her younger sister, Jane, and a lot of pets. Aside from being big cat lovers, Ann and her family also had hamsters, mice, turtles, guinea pigs and fish at different times throughout the years. After graduating from Smith College , Ann became a teacher and then an editor of children's books. She's now a full-time writer. Ann gets the ideas for her books from many different places. Some are based on personal experiences, while others are based on childhood memories and feelings. Many are written about contemporary problems or events. All of Ann's characters, even the members of the Baby-sitters Club, are made up. But many of her characters are based on real people.


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Ãþ§O¡G ¥Í¬¡­·®æ / ¶¼­¹¥Í¬¡ / ¬ü­¹ / ²i¶¹ / ¦Ê¬ì (agent: Mingming)



1. THE CHEESE LOVER'S COMPANION:
The Ultimate A-to-Z Cheese Guide by Sharon Tyler Herbst and Ron Herbst
2. CHEESE: A Connoisseur's Guide to the World's Best 1

1. °_¥q½à¨ý«ü«n
2. ¥@¬É°_¥qŲ½à¦Ê¬ì ( ¹Ï¤å®Ñ )



Format:

THE CHEESE LOVER'S COMPANION / ¥­ ¸Ë , 576 ­¶ , 2007 ¦~ 7 ¤ë¥Xª©
CHEESE: A Connoisseur's Guide to the World's Best / ¥þ±mºë¸Ë , 204 ­¶ , 2005 ¦~ 8 ¤ë



Summary

ªñ¤é³°Äò¤Þ¶i°ê¤ºªº²³ºë«~¶W¥«¡A°_¥q¥iºâ¬O­«­n«~¶µ¡C¡@¹ï©ó°_¥q¡A¡@°£¤F°µ¨Å¹T³J¿|ªº Cream Cheese, ´£©Ô¦ÌĬªº­ì®Æ mascarpone, §¨¤T©úªvªº cheddar cheese. ­±¹ïµY·ãº¡¥Øªº°_¥q¡A­n¦p¦ó¿ï¾Ü¤Î«~À|¨É¥Î¡A¨ä¤¤ªº¾Ç°Ý´NÅý³o¨â¥»®Ñ§i¶D±z¡C¡@


THE CHEESE LOVER'S COMPANION: The Ultimate A-to-Z Cheese Guide

¥»®Ñ¥ÑºZ¾P§@®a¤Î¬ü­¹Åv«Â Tyler Herbst ©M Ron Herbst ¼¶¼g¡A¡@¤º®e²[»\¶W¹L¢´¢¯¢¯ºØ°_¥q«ü«n¡C

³o¥»ÀH¨­«ü«n´£¨Ñ©Ò¦³°_¥q·R¦nªÌ©Ò»Ýªº¸ê°T¡A¡@±q¥þ¥@¬É , ¥]¬Aªk°ê¡B¸q¤j§Q¡B¦è¯Z¤ú¡B­^°ê¡B§ÆÃ¾ , ©M¾¥¦è­ô¦U°êªºªº°_¥q¡C¡@°£¶W¹L 500 ­Ó°_¥q«~¦W¡A±q Appenzeller ¨ì Zamorano ¡C ¥»®Ñ¥ç¸ÑÄÀ¦U±M¦³¦Wµü¡C°_¥qªº°µªk¡AÁʶR¡A¦s©ñµ¥²Ó¸`¡C°_¥q©M¸²µå°s¤Î°à°s°t¹ï«ü«n¡C¡@

¥»®Ñ´£¨Ñ¤F°_¥qµo­µ«ü«n¡A¨Ã¥H°ê®a , «¬¦¡¡]¥]¬A·sÂA , ¦ÛµM¥~¥Ö , ³nµw , ÂŰ_¥qµ¥¡^ , ¥H¤Î­ì®ÆºØÃþ¡]¤û¥¤¡A ¤s¦Ï , ºø¦Ï©M¤ô¤û¡^µ¥¯Á¤Þ¤ÀÃþ¤è«K°_¥q·R¦nªÌ¬d¸ß¡C

 

CHEESE: A Connoisseur's Guide to the World's Best

¥»®Ñ§@ªÌ¢Û¢é£A¡@¢Û¢ë¢Ñ¢é¢ô¢õ¢é¢ö¬°¬ü°ê­º©}¤@«üªºªº°_¥qŲ½à®a¡A¡@¨­¬°¯Ã¬ù Picholine À\ÆU¡]¬ü°ê²Ä¤@®a´£¨Ñ§¹¾ã°_¥q­¹ÃЪºÀ\ÆU¡^ªº°_¥q»s³y¤Î¬D¿ïªÌ¡A¡@¦b¥»®Ñ¤¤´£¨Ñ¤F°_¥qŲ½à¤£¥i©Î¯Êªº¸ê°T , ¬O±´¯Á°_¥q¥@¬Éªº¦a¹Ï . §@ªÌ ¿ï¾Ü , «~¹Á , ©M¬ã½à¤W¦ÊºØ°_¥q , ¨Ã´£¨Ñµ¹Å¹«È«~À|¡C ¥»®Ñ¬°§@ªÌ¤ß¦åµ²´¹ , ¤¶²Ð¥@¬É¤W¨â¦ÊºØ°_¥q - ¥u¦³³»¦yªº°_¥q - ¨Ã²[»\©Ò¦³¹ê¥Î¸ê°T¡C


·íµM , °s¬O°_¥qªº³Ì¨Î¦ñ«Q , ¦]¦¹§@ªÌ´ú¸Õ¤F¼Æ¥H¸U­p°s©M°_¥qªº²Õ¦X , ¥vµL«e¨Òªº´£¨Ñ°_¥q»P°sªº§¹¾ã·f°t«ü«n .

¥»®Ñ¥H¥þ±m»Éª©¯Èºë¦L , ¥H¹Ï°t¤åªº¤è¦¡±a»âŪªÌ¶i¤J°_¥qªº°g¤H¥@¬É .






§@ªÌ
About the Author


THE CHEESE LOVER'S COMPANION

Sharon Tyler Herbst and Ron Herbst are the authors ot THE ULTIMATE A-TO-Z BAR GUIDE, THE NEW WINE LOVER'S COMPANION, and the fourth edition of THE NEW FOOD LOVER'S COMPANION, which currently has more than one million copies in print.   The award-winning author of 16 books, Sharon is the foremost writer of user-friendly food and drink reference works. She has appeared on radio and television shows nationwide, including Good Morning America and the Today show. Ron is an author, consultant, and  freelance wine and travel writer who also makes guest appearances on radio shows.


CHEESE: A Connoisseur's Guide To The World's Best

Max McCalman is the unofficial spokesperson for fine cheese in the United States , featured in everything from the New York Times and Food & Wine to Queer Eye for the Straight Guy . He is the maitre fromager of the Artisanal Restaurant Group: Terrance Brennan's three-star restaurant Picholine, Artisanal Brasserie & Fromagerie, and the Artisanal Cheese Center in New York City . McCalman is also Dean of Curriculum at the Artisanal Cheese Center and has taught at many venues, including the Culinary Institute of America, the Institute for Culinary Education, and the New School . He lives in New York City with his daughter, Scarlett.

David Gibbons, a freelance writer, was coauthor with Max McCalman of The Cheese Plate , which was nominated for both James Beard and IACP awards, and was also the writer for Overstreet's New Wine Guide and Colin Cowie's Dinner After Dark . He lives in New York City .

 

Review

CHEESE: A Connoisseur's Guide To The World's Best


¡§The best cheese lover's guide . . . by the most passionate and knowledgeable cheese master in America .¡¨ ¡XEric Ripert, executive chef/co-owner, Le Bernardin

¡§This is a terrific guide to understanding the world's finest cheese.¡¨ ¡XRobert M. Parker, Jr., The Wine Advocate

¡§As a child in France , I watched my father savor a small piece of fine Roquefort every day. When I first met Max at Picholine restaurant, I recognized his great passion for cheese at once. He has combined this passion with a serious and extraordinary sense of the ceremony of cheese, and in doing so has taken cheese to another dimension for New York diners and now for his readers.¡¨ ¡XAlain Sailhac, executive vice president and senior dean of studies, The French Culinary Institute

¡§This long-awaited book is a welcome addition to the cheese lover's library. Filled with essential information, Cheese is a must have.¡¨ ¡XIhsan Gurdal, Formaggio Kitchen

¡§How truly delicious to have finally arrived at a time when the great pleasures of cheese are accessible to so many Americans. This enticing, refreshingly clear, and insightful book is a gem and a must-read for both the knowledge-thirsty amateur and the true connoisseur.¡¨ ¡XKaren Waltuck, owner, and Adrian Murcia, fromager, Chanterelle restaurant

¡§This is definitely a book that anyone with a serious interest in cheese¡Xboth professionals and consumers¡Xwill want to own. Cheese has a wealth of helpful guidelines about how to buy, taste, and store cheese, as well as descriptions and background on the great cheeses of the world, some classics, some little known outside their own neighborhoods.¡¨ ¡XAri Weinzweig, author of Zingerman's Guide to Good Eating and co-founder of Zingerman's Community of Businesses

 

THE CHEESE LOVER'S COMPANION
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CHEESE: A Connoisseur's Guide to the World's Best
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Ãþ§O¡G ¤H¤å¬ì¾Ç¡BªÀ·|¾Ç¡B¤å¤Æ¬ã¨s¡B·í¥NÃÀ³N (agent : Joanne)


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-by John Knechtel

Format: ºë¸Ë , 224 ­¶ , 2006 ¦~ 9 ¤ë¥Xª©

©U§£ªº©w¸q¬O¤°»ò ? ¤£¥~¥G¬O­Ë±¼¡B¥Î¹L¡BÃa±¼¡B¹L®Éªº¼o±óª«§a¡C¦b ¡¨ ¤£¥u¬O©U§£ ¡¨ ¤@ ®Ñ¤¤¡A§@®a¡BÃÀ³N®a©M¾Éºt­Ì¥Î¤£¦Pªº¨¤«×¥h±´°Q©U§£¡Aµ²ªGµo²{ÂÇµÛÆ[¹î¤H­Ì¥á¤F¤°»ò©U§£¡A¯à°÷Åý§Ú­Ì¤F¸Ñ¥L­Ì¬O«ç»ò¼Ëªº¤H¡C ¡¨ ¤£¥u¬O©U§£ ¡¨ °É´ú½d³ò±q³Ì·L¤pªº¦a¤è ( ±¼¦b¦a¤Wªº¤ò®h ) ¨ì³Ì¼s¤jªº°Ï°ì ( ©U§£¶ñ®I³]­p©M³£¥«¼o±óª«¶°¤¤¦aªº¬ã¨s ) ¡A¥¦½Õ¬d©U§£­I«áªºÅÞ¿è»P·N¸q¡A¦]¬°±q­Ó¤H»s³yªº©U§£¯à¶K¨­ªºÆ[¹î¨ì¥L / ¦oªº¥Í¬¡¡A¤]§â§Ú­Ì±q¾¥¦è­ô Juarez ³Q©äÄFªº¤k«Ä±a¨ì¤¤°êªº©U§£¦^¦¬ªÀ°Ï¡C

°Ñ»P¥»®Ñ«õ±¸©U§£­pµeªº§@ªÌ­Ì¦¨ÁZ´´µM¡A¥]¬A : ¦¬¶° Montreal »P¦U¤j«°¥«µó¤W¯È­¸¾÷ªº Susan Coolen ¡FÃÀ³N®a Kristan Horton »`¶°¤F¦U¦¡©U§£¨Ó­«²{¦W¾Éºt Kubrick Dr. Strangelove ¹q¼v¤¤ªº¸g¨åµe­±¡F¸Ö¤H Priscilla Uppal ¥H¦o±`¦b¾F¤H©U§£½c¤¤´MÄ_ªº§B¤÷ " Dr. Garbage¡¨¡¨ Fernando §@¬°¥D¨¤µoªí¸Ö§@¡F Rachel Cassells ¨ì¬ü¾¥Ãä¹Òªº Juarez ©çÄá³Q±ó«Íªº¦~»´¤k«Ä­Ìªº¥À¿Ë¡A»P¶ÉÅ¥¦o­Ì¤ß¸Hªº±±¶D¡C

¡§ ¤£¥u¬O©U§£ ¡¨ ±´¯Á©U§£¤§¹D¼w»P¤ß²z¼h­±ªº·N²[¡A¥H¤Î©U§£¦p¦ó¤Ï®g·í¥N¤u·~ªÀ·|¡C½Õ¬d½d³ò¤§¼s¥i»¡±q²§·Q¤Ñ¶}¡B¤£¤Á¹ê»Ú¡A¨ì¥O¤H¤£§Ô»Pµh¤ß , ¤]´£¨Ñ¦UºØ¦U¼Ëªº¤èªkÅý§Ú­Ì¥H¥þ·sªº¨¤«×¥h¤Ï«ä»Pµo²{¨º¨Ç³Q§Ú­Ì¤£¸g·N¥á±óªº¨Æª«¡C




Summary


¥Ø¿ý :
Introduction

More Fluff
Karilee Fuglem¡¨s photographs reveal complex worlds within dust bunnies.

Streets of Trash
Toronto trash Flaneur Lisa Rochon wanders the streets, shooting as she goes.

Uncle Fernando¡¨s Garbage Triptych
Priscila Uppal¡¨s poems portray her uncle, known in Brasilia as "Dr. Garbage."

Pliez
Susan Coolen collects paper airplanes from the streets of Montreal and other cities.

Sad Chairs
Gay Hawkins wonders what happens when wasted things hang around, refusing to go away. Photos by Bill Keaggy.

Trashed Space
Nina-Marie Lister photographs urban waste spaces and makes the case for their reinvention.

In | Out
Braden King, Garine Torossian, and Tigran Xmalian sort junk in post-Soviet Armenia

The Harbingers
In Nyla Matuk¡¨s fiction the year is 2029 and something is awry in China ¡¨s zero-waste cities. Drawings by Derek Sullivan

Recycling
Edward Burtynsky photographs recycling facilities in China and Ontario .

Message in a Bottle
Mass-scale trash is the outcome of our economic system, argues Heather Rogers.

Airspace
A photographic report by Pierre Belanger describes the ecologies and economies of landfilling in Michigan

Media in the Dump
Jennifer Gabrys reports on the residues from our digital devices.

Dr. Strangelove Dr. Strangelove
Kristan Horton recreates--in tiny trash assemblages--frames from the Kubrick classic.

The Ethical Artifact: On Trash
Trash marks the limits of knowledge, argues Barry Allen.

Prototypes
Brain Jungen dissects and reassembles consumer products in order to simulate more ancient forms.

Utopia Gleaners
Gleaners help us find the utopian energies of what has been cast aside, says Tina Kendall.

Sound Suits
Nick Cave¡¨s wearable artworks are built from found materials and make sounds when animated by the wearer.

Refuse/Refused
In Priya Sarukkai Chabria¡¨s poems the discarded--a worm, an old woman, a shard of mirror--speak.

The Missing Daughters of Juarez
Rachel Cassells travels to Juarez to photograph the mothers of murdered Mexican girls. Interviews and translations by Esteban Sheridan.

Plastikos
Susana Reisman photographs the vacuum-formed packaging used to display consumer goods.

Slough
A poem by Mani Rao explores this corporeal premise: "The new skins you grow are slough."

Contributors




§@ªÌ About the Author
John Knechtel is Director of Alphabet City Media in Toronto . He is the editor of SUSPECT and FOOD.



*¥»®Ñ 2006 ¦~ 9 ¤ë   ¥Xª©¡A¦³¼Ë®Ñ¥i´£¨Ñ¼f¾\¡C

 

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Sands of Death: An Epic Tale of Massacre and Survival in the Sahara
¦º¤`¤§¨F¡G²`¤J¼»«¢©Ô¨Fºz¡A¤@¬q­I«q¡B±þ¼®¡B¥ÍÁÙªº¥v¸Ö¬G¨Æ



- by
Michael Asher





·Q¹³§A°g¥¢¦b¨Fºz¤¤¡A¨­ÃäÁöµM¦³¤Q¤E­Ó¤H¡B¨â¦Ê¤K¤Q°¦Àd¾m¦P¦æ¡A¦ý¬O¨S¦³¤ô¡A¦Ó¥B§Aªº¾É¹C¥i¯à´ÛÄF§A¡C§Aªº®a»·¦b 1,500 ¤½¨½¥H¥~¡A¶ZÂ÷§A­ì¥ý­pµeªº¥Ø¦a¦a¥u³Ñ¤U 200 ¤½¨½¡C³o´N¬O³o¥»¬ö¹ê¬G¨Æªº¶}³õ¡A¤]¬O¤Q¤E¥@¬ö¥½ªk°ê´Þ¥Á±´ÀI®a Paul Flatters ¨­³´¶i°h¨âÃøªºµ~¹Ò¡C Flatters ¥ø¹Ï¦¨¬°¬ï¹L«D¬wªüº¸¤Î§Q¨È Hoggar ¤s°Ï ¡]¤@®yÅ÷¥ß¦b ¼»«¢©Ô ¨FºzÃä½tªº¤s¯ß , ¤s³»ªº²×¦~­·³·©M¤s¸}ªº»Å´»§Î¦¨¥¨¤jªº¹ï¤ñ¡^¨ì¹F Timbuktu ªº²Ä¤@¤H (Timbuktu ¦ì¦b¼»«¢©Ô¨Fºzªº¡A¶°¤å¤Æ°]´I©ó¤@¨­¡A¬O·í®É¼Ú¬w¤H±`±`´y¼gªº¤@­Ó¯«¸Ü«°¥« ) ¡A¥Lªº¥t¤@¶µ¥ô°È±´¯Á¥X¤@±ø²Ä¤@±ø¥i¥H¬ï¶V¼»«¢©Ô¨FºzªºÅK¸ô¡C¦b³o±Ô­z§Î¦¡ªñ¥G¥v¸Ö©Ê½èªº¬ö¹ê¬G¨Æ¸Ì¡A¾Õªø´y­z°O¿ý¨Fºz±´ÀI¬ö¹êªº§@¡A¦P®É¤]¬OµÛ¦Wªü©Ô§Bªº³Ò­Û´µ¶Ç°O°õµ§ªÌ¡A Michael Asher ¡A¹d²ÓÃû¿ò¦P®É§®µ§¥Íªá¦a¬ö¿ý³o«h¤Q¤E¥@¬ö«D¬w´Þ¥Á´Á¡Aªk°ê¤H³o¶µ¥ø¹Ï¡A¦ñÀHµÛ¤H©Êªº³g°ý¦Û¨p±q¤@¶}©l§Yª`©w­n¥¢±Ñªº¬G¨Æ¡C


Summary


In December 1880 a French expedition attempted to map a route for a railway that would stretch from their colony in Algeria right across the Sahara desert to reach their territories in West Africa . ' Paris to Timbuctoo in Six Days' was the slogan. It would do for the French colonies what the American railways were doing in the western states at the same time. No native opposition was expected. As one of the expedition's organizers said, 'A hundred uncivilized tribesmen armed with old-fashioned spears: what is that against the might of France ?' Four months later, a handful of emaciated survivors staggered into a remote outpost on the edge of the desert. Although armed with modern rifles, the column had been lured to destruction by the self-styled 'lords of the desert', the Tuareg. At this, the highpoint of European colonialism in Africa , this story of treachery, massacre, torture and even cannibalism made headlines around the world. Attacked by the Tuareg in their remote heartland, the survivors had been pursued for weeks on end, driven into the waterless desert to die. The desperate lengths they resorted to shocked Victorian sensibilities. They do not make easy reading now. This grisly story, told by our greatest living desert explorer reveals what happened when the conceit of western colonialism met the equally arrogant Tuareg, who had dominated this remote region, and anyone trying to cross it, for a thousand years.



§@ªÌ
About the Illustrator

Michael Asher served in the Parachute Regiment and SAS. A fluent Arab speaker, he has lived for years among the Bedouin peoples. He is a Fellow of the Royal Society of Literature, his published books include SHOOT TO KILL (1990), THESIGER: A BIOGRAPHY (1994) and an acclaimed biography of Lawrence of Arabia. His THE REAL BRAVO TWO ZERO (2002) was a Sunday Times Top 10 best seller.



*¥»®Ñ¨j©ó 2007 ¦~¤G¤ë¥Xª©¡A°ê¥~Åv§Q¤H©|¥¼´£¨Ñ¬ÛÃö®Ñµû¡C

­^°ê Daily Mail ®Ñµû¡G

http://www.dailymail.co.uk/pages/live/articles/books/authors.html?in_page_id=1826&in_article_id=444695



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Philosophy on the Go
°¨±í¤W»´»´ÃPÃP¾Ç­õ¾Ç



-by   Joey Green




ı±o­õ¾Ç«ÜÃø¾Ç ? ·d¤£²M·¡Ä¬®æ©Ô©³¡B¬f©Ô¹Ï¡B¨È¨½´µ¦h¼wµ¥­õ¾Ç®a¨ì©³½Ö¬O½Ö©Î»¡¹L¤F¨Ç¤°»ò ? §O¾á¤ß¡A Joey Green ¸ÕµÛ¥Î·¥¬°«ÕÀqªº¤f§k¤Ä°Ç¾ú¥v¤W­«­n­õ¾Ç®aªº¥ß½×¡AÅý§A¥i¥H§â­õ¾Ç·í´Z©Ò¤å¾Ç»´»´ÃPÃP¾Ç°_¨Ó¡C

®Ñ¤¤°£¤F«ö·Ó®É¶¡¶¶§Ç¤¶²Ð¤F¤£¦Pªº­õ¾Ç®a¡A¤]±N³o¨Ç­õ¾Ç®aµo¤H²`¬Ùªº¸Ü¥H²`¤J²L¥Xªº¤è¦¡ªí¹F¥X¨Ó¡C¦¹¥~®Ñ¤¤¤]±´°Q¤F¤H­Ì¥i¯à³£·Q¹LªºµL¸Ñ°ÝÃD¡A¤ñ¤è»¡¯«¬O¤£¬O¥i¥H³Ð³y¥X¤@­Ó³s¥L³£·h¤£°Êªº¥ÛÀY¡C§@ªÌ¨Ì¾Ú¤£¦P­õ¾Ç®aªº¥ß½×¡A¸Ù¿Óªº¼g¥X¥L­Ì­Y¬¡¦b¤µ¤é·|«ç»ò¦^µª³o­Ó°ÝÃD¡C¤ñ¤è»¡¥§ªö·|¦^µª¡R¡u¯«¦­´N¦º¤F¡A©Ò¥H·íµM©ï¤£¤F¥ÛÀY¡v ¡K µ¥¡C

Summary

We may be a society perpetually on-the-go, but we've still got a little downtime when we go. In just a few short sittings, The Bathroom Professor (TM) series helps make any reader a scintillating cocktail party guest, successful game show contestant, or basic, well-rounded person. This debut title, Philosophy on the Go , introduces all the great philosophers through the ages, from Socrates to Sartre. Wildly entertaining, the fun and informative lessons delve into the philosophies of ancient and moderns alike, and confirm once and for all that Kierkegaard is not a brand of deodorant. Always wanted to brush up your knowledge on life's biggest philosophical questions? You're just a few rest stops away from having all the answers.


§@ªÌ About the Author


Green ´¿¬O¡m °ê®a¿Ø¨ë®T¼Ö¶g¥Z ¡n½s¿è¡A¼g¹L¥|¤Q¥»®Ñ¡A¾Õ©ó®Ñ¼g ¤Ñ°¨¦æªÅ¡B¯î½ÏÂ÷©_«o¤S´I±Ð¨|©ÊªºÃD§÷ ¡A²¦·~©ó±d¤Dº¸¤j¾Ç (Cornell University) ¡A´¿´Àº~³ù¤ý (Burger King) ©M­}¤h¥§¼Ö¶é (Walt Disney World) ¼g¹qµø¼s§i¼@¥»¡C¥L¦b»e¤ë®É»P¦Ñ±C Debbie ¥H backpacker ¤è¦¡¹C¨«¥@¬É¦U¦a¨â¦~¡A¥Ø«e©M®a¤H©w©~©ó¬¥§üÁF¡C

 

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1 VIOLIN DREAMS

by Arnold Steinhardt

Format :   VIOLIN DREAMS: ºë¸Ë , 255 pages, ¬ü°ê Houghton Mifflin ¥Xª©¤½¥q¥Xª©

 

2. THE VIOLIN MAKER: Finding a Centuries-old Tradition in a Brooklyn Workshop

by John Marchese

Format :   THE VIOLIN MAKER: ºë¸Ë , 240 pages, ¬ü°ê HarperCollins ¥Xª©¤½¥q¥Xª©

 




Summary

   VIOLIN DREAMS

        ³ßÅw­µ¼ÖªºÅªªÌÀ³¸Ó¹ï Arnold Steinhardt ¨Ã¤£­¯¥Í , ¥@¬É¯Å¤p´£µ^¿W«µ®a¦P®É¤]¬O ¥Ê©`¨½©¶¼Ö¥|­««µ (Guarneri String Quartet) ªº²Ä¤@¤p´£µ^¤â , ®U®U¹D¨Ó¥L»P³o­Ó¼Ö¾¹Ãø¤ÀÃø±Ëªº¤@¥Í .   ¥»®Ñ°£¤F¦³Ãö§@ªÌªº¦Û¶Ç³¡¥÷ , ¤]¹ï¾ú¥v¤W¦³¦Wªº¤p´£µ^®a¦p®ü­¸¯÷µ¥ , ¤p´£µ^ªºµ²ºc ,  ¾ú¥v¤W»s³y¤p´£µ^ªº¦W«° , ·N¤j§Qªº Cremona, ¥H¤Î¥Lµø¬°³Ì¤j¬D¾Ôªº Bach §@«~ ®L±d»R¦± (Chaconne) µ¥³£¦³­z¤Î .  ¤j®vµ§¤U¦³·Å±¡ , ºë±m¤@¥Í´N¥Ñ³o¤@½g½g¤p¬G¨Æ¦êÁp¦Ó¦¨¡C



 THE VIOLIN MAKER

¤@¶ô²³æªº¤ìÀY¦p¦ó¯à¦¨´N¬°¤@§â¤p´£µ^ , ©Ò¿×ªº¼Ö¾¹¤§¤ý ?  ¬°¤F¸Ñ¶}³o­Ó°ÝÃD , ¥»¨­¬O­µ¼Ö®a»P§@®aªº John Marchese ¨«³X²`©~¯Ã¬ù¥¬¾|§JªLªº¤p´£µ^»s³y®v Sam Zygmuntowicz.  Sam ´¿¬°´X¦ì¥@¬É³»¦yªº­µ¼Ö®a , ¦p Isaac Stern, »s§@¤p´£µ^ , ¤]³QÅA¬°¥Ø«e³Ì°¶¤j¥BÁÙ¦³§@«~ªº ¤p´£µ^»s³y®v¤§¤@ . ¬G¨Æ¥Ñ Sam ±µ¤U Emerson String Quartet ²Ä¤@¤p´£µ^¤â Eugene Drucker ¤§©e°U¬°¥L»s§@¤@§âµ^¶}©l , Drucker ¥Ø«e¨Ï¥Îªº¬O¤@§â¥v¯S©Ô²Ä¥Ë¨½¤p´£µ^ (Stradivari), ¯à°÷»s§@¥X»P¾ú¥v¤W²Ä¤@¦Wµ^¨Ã¾r»ôÅXªº¤p´£µ^ , ¦¨¬° Sam ³Ì¤jªº¬D¾Ô .  ¦b Sam »s§@¤p´£µ^ªº¦P®É , §@ªÌ¤]³X°Ý Eugene Drucker, ¬ö¿ý¤U¥L¦b¹wºt , ¿ý­µ«Ç©Mºt¥X®Éªº±¡§Î¨Ã»·´ç­«¬v¦Ü¥v¯S©Ô²Ä¥Ë¨½¤p´£µ^ªº½Ï¥Í¦a , ·N¤j§Qªº Cremona. §@ªÌ¬°¤p´£µ^»s§@¤Î¨â¦ì¤Ñ¤~ , ºt«µ®a»P¤p´£µ^»s³y®v¶¡ªº¤¬°Ê»P©¼¦¹¿EÀú , ¼g¤U¤@­Ó¤Þ¤H¤J³Óªº¬G¨Æ .





§@ªÌ
About the Author

Arnold Steinhardt¡G
¥Ê©`¨½©¶¼Ö¥|­««µ (Guarneri String Quartet) ²Ä¤@¤p´£µ^¤â   ¸g±`©ó¥@¬É¦U°êªíºt¤p´£µ^¿W«µ

John Marchese ¡G­µ¼Ö®a»P§@®a

 

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Driving with Dead People
»P¦º¤`¦P¦æ


- by Monica Holloway



¨C­Ó¤H©Î³\³£´¿¸g¯Ô·Ä©ó¦º¤`¤Û·Q¡C¦ý¬O¡A¼Ö©ó©M¦º¤H§@¦ñ¦h¹L¬¡¤H¡H¥H½ö¦b³ßÅwªº´Ã§÷¸Ì·í¥ð¶¢®T¼Ö¡H®a®x¦]¯À¨Ï¤@­Ó 8 ·³¤p¤k«Ä¹ï¦º¤`ªº¥DÃD¦³²§©ó±`¤Hªº°õµÛ¡A¦oªº¤H¥Í»P¦Û§Ú·´·À¤@©w¹º¤Wµ¥¸¹¡H

Monica ªº¤÷¿Ë¦³­Ó¯S®í¶Ý¦n¡A¼ö·R©çÄᨮº×²{³õ¤Î¦ÛµM¨a®`ªº´º¶H¡AÁÙ·|¹ï«Ä¤l¬I¼É¡A¥À¿Ë¬O·¥«×¦Û§Ú¤¤¤ßªº­Ó©Ê¡A¥|­Ó¥S§Ì©j©f®É¦³ª§°õ¨Ã¤£¿Ë±K¡A Monica ³Ì­n¦nªº¬O®a¸Ì¶}Âl»öÀ]ªº¦nªB¤Í Julie ¡C

ÁöµM¤pÂí¤W³B³B¬Oºñ·N¯sµMªº¤j¦ÛµM¡A Monica ©M Julie ¹ç¥i¸ú¦bÂl»öÀ]ªº³¯¦C«Ç¡A½ü¬y½ö¦b³ß·Rªº´Ã§÷¸Ì¡A©Î¬O±µ¤U¶}ÆF¬^¨®¨ì¾÷³õ»â«ÍÅ骺¤u§@¡C Monica ªº¦¨ªø¹Lµ{¤¤¡A¤÷¥Àªº¤£­t³d¥ô³y¦¨¦o¨S¦³¦w¥þ·Pªº°ÝÃD¨Ã¨S¦³§ïµ½¡A¹ï Monica ¨Ó»¡¡A»P¨ä¬Û«H¤@­Ó¤£·|¨ì¨Óªº±ÏÅ«¡AÁÙ¤£¦pÅé»{¨ì±ÏÅ«®Ú¥»¤£¦s¦b¡C

¤@­Ó®i²{¤£¤Z«i®ð»P°í¼Ý®æ©Êªº¶Ç°O¡C

 



Summary

Small wonder that, at nine years old, Monica Holloway develops a fascination with the local funeral home. With a father who drives his Ford pickup with a Kodak movie camera sitting shotgun just in case he sees an accident, and whose home movies feature more footage of disasters than of his children, Monica is primed to become a morbid child.

Yet in spite of her father's bouts of violence and abuse, her mother's selfishness and prim denial, and her siblings' personal battles and betrayals, Monica never succumbs to despair. Instead, she forges her own way, thriving at school and becoming fast friends with Julie Kilner, whose father is the town mortician.

She and Julie prefer the casket showroom, where they take turns lying in their favorite coffins, to the parks and grassy backyards in her hometown of Elk Grove , Ohio . In time, Monica and Julie get a job driving the company hearse to pick up bodies at the airport, yet even Monica's growing independence can't protect her from her parents' irresponsibility, and from the feeling that she simply does not deserve to be safe. Little does she know, as she finally strikes out on her own, that her parents' biggest betrayal has yet to be revealed.

Throughout this remarkable memoir of her dysfunctional, eccentric, and wholly unforgettable family, Monica Holloway's prose shines with humor, clear-eyed grace, and an uncommon sense of resilience. Driving with Dead People is an extraordinary real-life tale with a wonderfully observant and resourceful heroine .

 

 §@ªÌ About the Author
Monica Holloway is an actress turned writer whose essay "Red Boots and Cole Haans" was described by Newsday as "brilliant, grimly hilarious." This is her first full-length book.


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